On this 50th anniversary of the JFK assassination in Dallas, Texas, I offer you my poem, “The Pink Chanel Suit,” which was published in Rattle in 2011. You can find it here.
2013 PEN Center USA Literary Awards
23 AugThis year’s award recipients include Joan Didion, Lifetime Achievement Award (to be presented by none other than Harrison Ford!); Filmmaker Sonia Nassery Cole, Freedom to Write Award, Kickstarter founders Perry Chen, Charles Adler and Yancey Strickler, Award of Honor, Ramona Ausubel, fiction for her novel “Nobody Is Here Except All of Us,” Seth Rosenfeld, research nonfiction prize for “Subversives: The FBI’s War on Student Radicals, and Reagan’s Rise to Power”; Joy Harjo, creative nonfiction for “Crazy Brave”; Mark Boal for his screenplay for Zero Dark Thirty; Danny Strong, who wins for his teleplay for HBO’s “Game Change”; Amanda Auchter in poetry for The Wishing Tomb; Philip Boehm, for translation of “An Ermine in Czernopol,” originally by Gregor von Rezzori; Michael Harmon in children’s literature for “Under the Bridge”; Ed Leibowitz for journalism for “The Takeover Artist” in Los Angeles Magazine; and Dan O’Brien for drama with “The Body of an American.” Here’s the first official write-up in the Los Angeles Times.
First and foremost, I want to thank each and every one of you for your support over these past few years. It has meant so incredibly much to me. The last two years have been strenuous and difficult to say the least, and even a five minute phone call from some at one time or another has made all of the difference.
Here’s the kicker: PEN Center USA will be giving out “swag bags” at the awards dinner at the Beverly Hills Hotel in October. They are requesting 500 copies of The Wishing Tomb to include in these bags. However, Perugia Press, which is currently celebrating its 16th Anniversary, is a smaller press, and 500 additional copies is a lot to give away for free, even to such a prestigious event such as the PEN Center Awards. Perugia Press, as a result, is holding a fundraiser to help offset the costs of sending so many copies of my book to the awards festival.
How you can help: Here is the link to the information about the Perugia Press Fundraiser to send The Wishing Tomb to the 2013 PEN Center USA Literary Awards Festival. Any amount will help, if you can. The cost to Perugia is $5/book, so even $25 will add up. I dislike asking for donations in general, but I think it’s important to get not only my work out there, but to have a smaller press represented on a national scale. Let’s get poetry in the hands of the 500 attendees!
Thank you, again, for your support and encouragement. I hope you can help send this book to the PEN Center USA Literary Awards Festival this October! If you have any questions, please contact me!
Summer Reading
18 JunI realized that it hasn’t been since I did my post on my top 20 books of poetry for National Poetry Month that I’ve talked about what I’m reading/what I recommend reading. As this is summer and as this blog is titled “Books & Baubles,” I think it is the appropriate time to talk about my summer reading list.
I love reading lists — I think it’s the literary voyeur (or just the voyeur) in me that like peeking in other people’s shelves (selves) to see what books they’re devouring at any given moment. I think summer reading lists are the best because they often include “light reading” (and what this “light reading” may be varies, of course, from Stephen King to Anna Maxted) if the one doing the reading is being honest. I want to be honest: I am reading these books (and yes, some haven’t been started, yet, but are on the near-horizon) and I am not ashamed in the least of what my summer reading list entails. There is no War and Peace. I’m not kidding myself. There is no way that I will read a heavy text when it’s 100 degrees outside. Nope. Not going to happen.
What I am reading (listed from top to bottom):
Something From The Oven: Reinventing Dinner in 1950s America by Laura Shapiro
I love this book! It’s a culinary history of sorts of 1950s American “cuisine.” It focuses its attention on the rise of packaged food items, corporate food writing and advertising, home cooks and their unwillingness to chuck traditional methods for meals from a can or a box, and the incredibly role of Poppy Cannon.
Stag’s Leap by Sharon Olds
This won the Pulitzer for Poetry and is a book of poetry by the force that is Sharon Olds. Need I say more?
Wife Dressing: The Fine Art of Being a Well-Dressed Wife by Anne Fogarty (Author) and Rosemary Feitelberg (Introduction)
If you haven’t been able to tell yet, I’m on a bit of a 1950s vintage kick. This book was released in 1959 and re-released in 2007 with the Feitelberg introduction. Wife Dressing influenced a decade of style, social mores, and thinking about well, wife dressing. As “quaint” as some of the advice may be in this book, there are some excellent reminders about body image, not comparing yourself to anyone else (especially fashion models), and dressing for your body type, not your fantasy body type.
The Exchange by Sophie Cabot Black
I haven’t started this book, yet (it was recently released by Graywolf), but I am a huge Sophie Cabot Black fan and I can’t wait to read her newest collection of poems. If you haven’t read her second book, The Descent, you must run out and do so. That collection has inspired me in immeasurable ways.
Mad Girl’s Love Song: Sylvia Plath and Life Before Ted by Andrew Wilson
I am so excited about this book! I’m a Plathophile and literally own every book written by or about Plath. This book is exciting because it focuses on Plath’s life before Ted Hughes, which I think adds much to her narrative. While the Plath-Hughes drama is interesting, I think that story is a bit played out. This book also illuminates her early beginnings in terms of childhood and young adult traumas and mental illness.
Pain, Parties, Work: Sylvia Plath in New York, Summer 1953 by Elizabeth Winder
This is another excellent Plath text and one that entirely focuses on Plath’s pre-Ted life. What I love about this book is that not only is it about Plath’s Mademoiselle summer and subsequent breakdown, but it also offers the vintage-loving reader an insight into early 1950s American life in New York and the issues that plagued young, college-age women during this decade.
Inferno by Dan Brown
Don’t judge me! This is my official “light summer reading” and I’m loving it. I have actually read several Dan Brown novels (Angels & Demons and The DaVinci Code), but this one is by far the best and the most intelligent. I felt that, in particular, The DaVinci Code was written on an eighth grade level. In contrast, I applaud Brown’s use of exceptionally high vocabulary, artistic and literary references in his latest novel. Inferno uses Dante’s famous work as the backdrop to this fast-paced mystery, which to a literary-lover such as myself, I find especially intriguing. I also hope that people who have never read Dante will now be inspired to do so. It’s amazing sometimes what pop fiction can do to the average reader.
Betty Crocker’s Picture Cookbook
This is a fabulous eBay find for me as it is the original 1950 edition. The book itself is in very good shape (I don’t think anyone even cooked out of it, it would seem). I actually purchased two of these — one to keep and one to use. If you follow me on Instagram, you saw that I recently posted a photo of one of the recipes I used out of this cookbook — blueberry muffins. This might seem an easy from-scratch recipe, and the use of shortening might scare you (and gentle reader, shortening is NOT lard — it’s solidified vegetable oil that actually has less transfat and calories than butter), but with the added fresh blueberries, these were the best muffins I’ve ever made.
This book by Lois Banner (photographs by Anderson) is another one of my summer indulgent reads and if you’re a MM fan, you’ll love it. It features numerous photographs of Monroe’s letters, receipts, telegrams, cosmetics, clothing, etc. and wonderful stories to accompany each item. I just watched HBO’s documentary, “Love, Marilyn,” last night, so this is a perfect time to flip through this book. It’s a gorgeous coffee table book and perfect for any Marilyn aficionado.
When I went to Atlanta last month to read from my books at Charis Books, my friend Julie (who I also read with) had this waiting for me on the guest bed, all tied up with a little bow. It was a wonderful house guest gift! This double-issue journal reads like a who’s who of contemporary writing: Kim Addonizio, Madison Smart Bell, Billy Collins, Barbara Hamby, Edward Hirsch, Jane Hirshfield, Alice Hoffman, David Kirby, Thomas Lux, James May, Sharon Olds, Tom Perrotta, Elizabeth Spencer, Elizabeth Spires, and more. I don’t see it on the Five Points website, yet, so I don’t how you can get a copy of it. Julie got a copy at a literary event and I’m so thrilled to add it to my collection.
What’s on your shelf this summer?
The BIG Poetry Giveway 2013: Winners!
16 MayBack in April, I participated in the Big Poetry Giveaway (more about this here) as a way to celebrate National Poetry Month.
The winners were chosen using an online randomizer (random.org, to be exact). Drumroll…
Daniela Olszewska will receive a copy of Katie Ford’s wonderful book, Deposition. Jeannine Hall Gailey will receive a signed copy of my second book of poems, The Wishing Tomb. If you are one of these winners, please contact me with your mailing address so I can send you your book!
Thank you so much to all who entered! As this was my first year participating, there were a LOT more who entered that I expected. I look forward to doing this again next year!
Poetry Month: Voices Seasonal Reading Series
15 AprNational Poetry Month has been slow-to-no going for me thus far due to unforeseen circumstances (a family illness and the recent stabbing spree at the campus where I teach), but things are gradually getting better and I hope to make a turnaround this month, soon.
Despite everything that’s been going on, I have one Poetry Month-related event to announce: I will be one of the featured readers this coming weekend, Saturday, April 20, at the Voices Seasonal Reading Series (curated by poet Clare Martin). As this event will be in Lafayette, LA (at Carpe Diem! Gelato – Espresso Bar, 7PM), I will be reading from my newest book of poetry, The Wishing Tomb, which is a book of New Orleans-inspired poems, (and a little from my first book, The Glass Crib).
I will be reading with Michael Allen Zell, whose first novel Errata was named a Times-Picayune Top 10 Book of 2012. He was a finalist for the 2011 Calvino Prize, finalist for the 2010 Faulkner-Wisdom Competition, and was nominated for the 2012 Best American Short Stories.
If you’re in the area, I’d love to see you! I will also be signing/selling copies of my book at the event. If you can’t make it, you can get a copy of The Wishing Tomb here or a copy of The Glass Crib here. Also: don’t forget to enter The Big Poetry Giveaway for National Poetry Month — I’m giving away a signed copy of The Wishing Tomb as well as a copy of Katie Ford’s Deposition. Details here.
Poetry Month: Ideas for Non-Creative Writing Students
2 AprI’ll be the first to admit it: getting non-creative writing students to read, much less love, poetry is quite the challenge. Most of my students think poetry is written by old white men from the 1500s or by guys with berets beating on bongos. When they say this, my heart dies a little because this is so often how poetry is portrayed in the larger American culture. We in the profession know, however, this is absolutely not the case.
So how do instructors get non-creative writing students to appreciate poetry? By nudging, prodding, showing our own enthusiasm, and yes, by educating. Here are my jackpot, tried-and-true ways of introducing poetry into the non-creative writing classroom:
1. Introduce students to National Poetry Month. Explain the significance of NPM and show them a few great websites (some even have apps!) and examples of poems at each site. The ones I use are: the Poetry Foundation website (here) and the Academy of American Poets site (here). Play around with the sites with your students in class. Show them different types of contemporary poetry on varying subjects that a non-writer can relate to (love! baseball! pets! holidays! music!)
2. Put a face to a name. If there is time in the syllabus, I show my students the wonderful documentary put together by The Academy of American Poets, The Poet’s View, which showcases notable contemporary poets such as John Ashbery, Louise Glück, Anthony Hecht, W. S. Merwin and Kay Ryan. The video goes behind the poems to show who these poets are — real people (shocking, I know) — who love the business of language and books. It also features a few poems being read by each poet. If there is not enough time, I offer it as extra-credit by letting students check it out from me, watch it, return it the very next class meeting (I also suggest that students have viewing parties on their own time as I have found that this video is quite popular), and write a 1-2 page review. The video has proven so popular, in fact, that I recently purchased a second copy. The DVD is available here for $22.95.
3. Host a Reading Challenge. Prepare a list of 15-25 books of poetry that you think a non-creative writing student would not only enjoy, but should read. Present the challenge to the class (either as a graded assignment or as extra-credit). I have extended extra credit to any student who checks out one of the books (either from my personal library or the college’s), reads it, and writes a 1-2 page review/annotation by the end of National Poetry Month. The response has been tremendous! Out of my list of 22 books, so far nearly 50% of the titles have been claimed in the past few days since introducing the challenge. On my my recommended list: Don’t Let Me Be Lonely by Clauda Rankine, Elegy by Mary Jo Bang, Crush by Richard Siken, Dearest Creature by Amy Gerstler, The Dirty Side of the Storm by Martha Serpas, Please by Jericho Brown, Cusp by Jennifer Grotz, Queen for a Day by Denise Duhamel, Shahid Reads His Own Palm by Reginald Dwayne Betts, Here, Bullet by Brian Turner, Black Blossoms by Rigoberto Gonzalez, Cocktails by D.A. Powell, Dancing in Odessa by Ilya Kaminsky, The Wild Iris by Louise Glück, Ultima Thule by Davis McCombs, What Narcissism Means to Me by Tony Hoagland, The Dead and the Living by Sharon Olds, Mosquito by Alex Lemon, Rose by Li-Young Lee, On Love by Edward Hirsch, In the Middle Distance by Linda Gregg, What is this thing called love by Kim Addonizio, All My Pretty Ones by Anne Sexton, Ariel by Sylvia Plath, and Indeed I Was Pleased with the World by Mary Ruefle.
4. Get Involved and Get Them Involved. Each year, my college hosts a college and community-wide Poetry Slam (I have been a faculty judge for the past five years). I am not a performance poet, but younger adults love the energy that Slams bring and it gets them thinking creatively, which is the goal, isn’t it? Every year this event boasts a large audience turnout with about 20-25 competitors. A few weeks before the event, I bring the flyer in and pass it around to my non-CW classes and explain what a Slam is and how it works. Every year, I’ve had scads of my students show up and even a few sign up to perform! I think that by getting involved at the local/college level, starting a NPM event or program, and getting your students involved can go a long way to influence their thinking about poetry and creative writing — in all of its forms. More details about the Lone Star College-CyFair Annual Poetry Slam here.
What do you do to bring poetry into a classroom of non-creative writers?
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As day two of National Poetry Month draws to a close, don’t forget to enter the BIG Poetry Giveaway 2013 here! You can win a signed copy of my newest book, The Wishing Tomb, or Katie Ford’s first collection (unsigned), Deposition.
The BIG Poetry Giveaway 2013
1 AprIf you don’t know it already, April is National Poetry Month! To celebrate NPM, I will be blogging about all things poetry such as ideas for students, NaPoWriMo (God help me), favorite poetry books, and more! You can read The NPM FAQs from the Academy of American Poets website here.
To kickoff National Poetry Month 2013, I’m following the lovely poet Bernadette Geyer’s lead and participating in the Big Poetry Giveaway!
Details: The Big Poetry Giveaway is a giveaway of free poetry books, one of our own and one of our favorite poetry books. More details and how to participate can be found on the poet Susan Rich’s blog here.
I’ll be giving away one signed copy of my newest book, The Wishing Tomb, which was awarded the 2012 Perugia Press Award. Patricia Smith of this book, “in these textured, deftly-crafted stanzas, Amanda Auchter romances the grit, the rampant spice, the twang, the mystery, the brick, the swelter, and the insistent hallelujah conjured by the Crescent City. This sparkling, defiant love story pays tribute to NOLA on the upswing, while remembering how often it has teetered on the edge of descent.”
I will also give away a copy of one of my favorite books of poetry of all time, Katie Ford’s first collection, Deposition. Jorie Graham writes that, “Here is a poetry of witnessing—theological, emotional, intellectual—a private end to a century’s horrors, a reminder that not all things begin again, and that from some reaches of experience instruction shines far less than the beauty of the survivor’s report.” This book was a great inspiration in the writing of my first book, The Glass Crib, and is something I return to again and again.
To Enter: leave your name in the COMMENT section of this post and I’ll choose a winner for each book on May 1st or 2nd. In your comment, please include your first name and email (or some way to get in touch with you). The giveaway ends April 30th, 2013 at midnight. Happy Poetry Month!
Poem for the Holy Week
24 MarThis is one of my favorite poems by Katie Ford. I can’t stop going back to it and the last line stabs into me again and again.
The Shroud of Turin
You see I am not certain you see the cloth held up to the light betrays
an imprint of the whole body glands seeping out what was in
them before death consider where else would it go but out I suppose this
is what I will do when I miss the beloved lay his bedsheet on carpet take
my hands brace my body over it see my shadow twine into his
a hawk spans the undiminished canyon darkens all of it from above
this bolt of linen undone as time fades into as it was in the beginning
hawk at birth unstreaked come methodology of absence how something grows
more absent what will fill what will be avian be predatory I am not certain what
to do here above the knitted sheet knitted tight enough to hold the shade
passing through to the upper limit of descent the has been scientific inquiry
into the ancient bedclothes it can’t be they say but then the realism of the print
when photographed one replies someone was here I would cross open spaces
for fictitious evidence yes he was here not Jesus no it’s not him that I want
I confess it is not his cloth I pass my body over oh I sense the spread of a hand
here bird-shadow here there will be miles and miles between us between
Golgotha and Italy hills and dusks and waters see they insist we know
what a shroud is what likeness is please do not prove anything away.
from Deposition by Katie Ford